Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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unknow artist
poultry 160

ID: 46725

unknow artist poultry  160
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unknow artist poultry  160


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unknow artist

  Related Paintings of unknow artist :. | West Point | Lake George | European city landscape, street landsacpe, construction, frontstore, building and architecture. 248 | C'est Un Emir | Christ and the Twelve Apostles |
Related Artists:
Peale, Sarah Miriam
American Painter, 1800-1885 Painter, daughter of James Peale. The most notable of James Peale's painting daughters, she also studied with her uncle Charles Willson Peale and her cousin Rembrandt Peale, from whom she developed her talent for colour and precision in details. As studio assistant to her father, she occasionally introduced into his work bright and intricate fabrics. Her career began in 1817 with the exhibition of Flowers at the Pennsylvania Academy of the Fine Arts. In the 1820s she painted in Baltimore and Philadelphia; in 1824 she was elected to the Pennsylvania Academy. From 1831 to 1846 she maintained her studio in Baltimore where she was a popular portrait painter, producing unpretentious but intelligent and occasionally romantic portraits characterized by a fine concern for materials, as in Mrs Perry Eccleston Noel (c. 1822; Baltimore, Mus. & Lib. MD Hist.). Her sitters included such prominent politicians as Daniel Webster (1842; St Louis, MO Hist. Soc. Mus.) and Abel Park Upshur (1842; Baltimore, Mus. & Lib. MD Hist.). In 1847 Sarah moved to St Louis, MO, where for 32 years she was in great demand. From 1859 her still-lifes won prizes at the St Louis fairs; they were loosely painted works different from the tightly controlled table-top pieces of her father and sister. Sarah's portraiture also changed, from the elegant, precise Neo-classicism learnt from her cousin Rembrandt to a looser,
Pasquale Liotta
Italian, 1850 - 1912
William Hodges
English Painter, 1744-1797 English painter. He first attended classes at William Shipley's Academy in the Strand, London, and from 1758 to 1765 was apprenticed to Richard Wilson (about whom he published a short biographical essay in 1790). Hodges followed Wilson's classical landscape style periodically throughout his career.






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